The Plight of the Emerging Artist

Emerging ArtistIt’s tough starting out in the world of the arts if you’re a Visual Artist, Singer, Writer or any creative for that matter, and many learn the hard way when they venture out after their studies and discover it’s really not what they teach you at college.

Just as the song “Video Kills the Radio Star” of the 80’s suggests, times change as technology changes. The old makes way for the new. The Art business and the Publishing Business are changing – just as the Music Business did a short while ago.

In the past a creative person with an idea for a book or a screenplay, a collection of paintings or sculptures, artistic photographs or a written song would approach the appropriate business directly (if they were allowed to do so without an Agent) or seek representation through an Agent in the hope of signing a deal and starting a career. It was a tough enough road even then, but now that there are so much more artistic people seeking to earn a living from their talents, this industry is changing in so many ways. One would think the markets would be saturated but instead it is just transforming – and not necessarily all negatively either!

So What’s Changing Nowadays?

I understand that traditional Art Galleries are taking on fewer emerging artists these days, preferring to spend time and money on established artists who are guaranteed to make them money. This is partly due to the recession perhaps, where the wealthy can still invest in art and yet the person of more modest means shall not extend his or her budget considering there are more vital expenses to handle first.

Emerging artists are hence advised to have a strong sales record and client base before a gallery will consider taking them on and yet there’s an irony at work here because if they have a strong client base and making a success of their career, one wonders if they really need the gallery at all? Especially a small one in their local area that may bring a few sales and serve as extra exposure but isn’t really going to “Make your career” as in days of old. Yes, in the past galleries could take on an emerging artist and market them in all the right places, introduce the artist to new collectors and establish a liaison with the press, but it appears this is not happening as much any more. In most cases, emerging artists are basically on their own until they have established some value that will appeal to the gallery. This value is essentially work that sells consistently, a strong online presence and collectors and followers of their own.

Similarly, I understand that authors are expected to assist the publishers in marketing their book too and yet they can simply upload their own book to Amazon and a multitude of other sites (as well as their own websites) to publish it themselves, put some effort into marketing this work and make sales without the publishing house behind them. We’ve all read amazing success stories of authors who have made a million Dollars on Amazon and then been approached and signed by a traditional publishing house. The author must have been delighted because of the prestige factor we associate with “being signed” as it enforces the merit of the work, (because we trust it has been validated according to the traditional methods of the past,) but the author had really done the groundwork alone.

Likewise, Singers and Bands upload their music to SoundCloud, You Tube and other sites where they can also be shared, recommended and ultimately go viral. Again, some of the most unlikely musicians have been discovered this way.

However, the emerging creative need not despair – there are other ways of developing a successful career and it need not be the “plight” it appears on first glance.

Social media has certainly done a lot to change how we live or communicate and even promote ourselves and our businesses. Marketing ourselves has become a new trend on its own.

New Gateways and Avenues To Pursue

In the days of van Gogh, the artists had the Salon as a credible gateway for getting seen and known, and in the past an artist represented by an Agent or a Gallery was esteemed more prestigious than one who exhibited at fairs and markets for example. This is still true to a certain extent now, only Artists have so many other avenues to explore and a phletora of opportunities available to them as well.

Because Artists, Writers, Singers and other creative people are avidly taking advantage of the social media networks available, such as Facebook, they are actively building his or her own presence online – sometimes a very strong presence too – and are simultaneously establishing themselves in the eye of the public and creating a name for themselves.

In so doing, they are also slowly gathering what marketing guru, Seth Godin, calls “The Tribe,” as they attract an increasing number of followers interested in these talented people and their products. Among these followers can be Collectors and Buyers or Curators, Music and Film Producers, Gallery Owners, Publishers, Art Organisations, Associations and a host of other potential business – who, let us bear in mind, have Art Critics, Reviewers, Journalists and Marketers and everybody else concerned in all these industries busy themselves promoting their services and companies on their own pages on social media at the same time , as well as also on the lookout for who is making a buzz in their industries on the web!

General Advice Regarding A Positive Strategy

The Work Itself

My advice to you today from one artist to another, and whether you Write songs or books, Sculpt, Paint or Weave, is to always try and follow these few pointers:

  • Be yourself in every way – let your own personality and who you really are shine through in your work and in your promotions I.e. Be Distinctive – tell your own story! (Show this in your corporate image, your blog and the work itself)
  • Set realistic prices according to the value of your work
  • Make Good Art! – always strive to be better than your last creation
  • Associate with people who do the same or similar work as you do but who are better at it than you are – you are bound to improve and learn from them – but do not endeavour to replicate their style or you are just promoting them and you want to be unique and promote yourself!
  • Set a short-term and a long-term plan and look for ways to achieve this.

Promotion

  • Engage fully in creating your career – get involved in every opening that arises.
  • Don’t scoff at the most unlikely avenues – these sometimes lead to great new opportunities and you never know who you may meet!
  • On Average, aim at devoting 30% of your time to creating your craft and 70% of your time to marketing it – unless you can afford to employ someone to help you!

Create a Promotion Strategy Using These Outlets

1) Social Networks like Facebook (Your own wall and a Fan Page) and Twitter, Pinterest and Instagram

2) Distribution Platforms especially for specific creative activities as follows:

  • Artists – Sell originals and prints through sites like Saachi, Fine Art America, Deviant Art, Daily Painters etc
  • Musicians – Upload your songs and promote yourself or your band through sites like Soundcloud etc
  • Writers – Self-publish your books through Amazon (CreateSpace), Lulu, Bookbaby etc

3) Competitions – Research and enter as many competitions as possible to keep abreast with what’s happening and obtain more exposure in the art world. An award will look good on your CV! There are free competitions and some you need to pay to enter, but be careful as some of the take your money and you have no way of knowing if there really is a competition or whether you were selected or not.

Competitions can be found online on specific sites and ezines and also in art/publishing magazines and newspapers.

Enter Talent shows if you are a singer, like Idols, UK Has Talent etc

4) Web Campaigns:Emerging Artists can also take advantage of platforms offering a variety of ways to launch ideas and create a buzz to attract some attention to your work. You can really get creative!

  1. Crowdfunding campaigns can be really innovative ways to raise funds for Indie Projects. Kickstarter and Indiegogo, to mention but a couple, are sites that favour film, the arts and creative projects. Depending on the effort put into the networking of one’s campaign, these too can go viral sometimes and some people have been really fortunate and received millions to really set them on their way.
  2. Marketing Apps – Anybody can drive traffic to their products, boost sales or generate engagement online through creating a campaign themselves, using sites such as Shortstack for example, who or even Facebook itself. They offer a range of very good and easy to use apps, which offer a host of different ideas such as:
    • Photo-Vote Competitions
    • Giveaways
    • Promotions
    • Webinars

5) Video Creation – it is easy these days to create a video and upload to sites such as You Tube. You can create a series of shots of your artworks in a slideshow format or a demonstration of you actually creating the work. Share your video on other social networks.

6) Create a Blog – Use Blogger or WordPress and build an audience to subsequently boost sales of your work through your Blog. It’s a good place to display your work, impart your knowledge and engage with readers. Draw traffic by promoting your blog on other social networks too and share it on Tumblr, Google +, Stumble Upon, LinkedIn etc

Get with it!

So although you’re presently an emerging artist and up against a lot of competition, take heart that you have so much potential of many new outlets to distribute and market your work and drive an audience and sales. Take advantage of these opportunities and try your hand at all of them! Think up some of your own too or ways you can implement them in getting your work seen in as many places as possible, both online and in your local area or nation.

Watch this video for extra inspiration and let me know if you have any other great ideas to assist emerging artists.

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Novelty Is Seldom The Essential

“In our time there are many artists who do something because it is new; they see their value and their justification in this newness. They are deceiving themselves; novelty is seldom the essential. This has to do with one thing only; making a subject better from its intrinsic nature.” Henri de Toulouse Lautrec

Henri de Toulouse-Lautrec 063
Henri de Toulouse-Lautrec 063 (Photo credit: Wikipedia)

How true are these words from the famous French artist Henri de Toulouse Lautrec? We artistic people are always trying to find that one thing – that elusive single thing that will make us stand out from the rest. We strive to be novel and so original that we sometimes end up doing nothing at all.

I’ve said it in other posts, but it’s better to just do what you love, in your own way – that’s as original as it needs to be!

Recently I have been painting still life scenes and they too can tell a story, in their glorious simplicity, through choice of colour etc, and as Lautrec says “Making a subject better from its intrinsic nature’ is the actual challenge for the artist painting realism – a pot, or a watering can, or even an ironing board has a beauty and a personality and portraying that essence is what resonates with the viewer.

So do it in your style. Capture the essence of anything in your own way and stop worrying about finding something that has not been done before and stop worrying also about who will like it. That’s being truly original. Even Picasso painted all sorts of things beautifully and realistically before he painted in the style of cubism. Who knows what you may stumble upon too on your creative journey!

I also love these words from Andy Warhol which sums it all up perfectly.

Don’t think about making art, just get it done.  Let everyone else decide if it’s good or bad, whether they love it or hate it.  While they are deciding, make even more art.” Andy Warhol

A Still Life is Certainly Alive!

I have been a busy bee creating a few small still life paintings these last two weeks.  Although painting from a still life set-up is easy in the sense the model doesn’t move, the light does! Like plein-air painting, this creates a challenge and forces one to paint quickly before the light changes. I have started taking a photo of the initial scene to refer to once my basic painting is complete; this enables me to check my shadows and highlights at the end.

The French termed a still life as a “Nature morte” which literally translates as ‘dead nature’ and the surrealist artist Salvadore Dali had a bit of fun when he had a dig at this term in one of his paintings, “Nature morte vivante” (dead nature alive) where he had the objects flying around! Anything but dead and very creative indeed!

More than just the scene of a few inanimate objects on the canvas, I love trying to capture the very essence of the objects themselves. Even a pot has a personality! And no fruit is without beauty or a character of its own – or am I just crazy?!!!

Painting still life scenes is great fun though, and quite a change from painting people, which I have done for many years, and can also offer a range of possibilities for all style of art as it doesn’t have to be the traditional old fashioned way and manner, but can be done in a contemporary way or even as an abstract painting.

I love colour, so I portray that in my work. I also love bold brushstrokes and adding impasto in certain parts of the painting to add interest.

Talk about the joy in a paintbrush! I have found it in this style of work and would like to show you a few examples of my recent paintings:

A platter of oranges
“A Platter of Oranges’ Oil on Canvas 12′ x 12”
Sunflowers and Pears
“Sunflowers and Pears” Oil on Canvas 12″ x 12″
Sugar or Lemon?
“Sugar or Lemon?” Oil on Canvas 9″ x 12″
Pots and fruit
“Pots of Fruit” Oil on Canvas 10″ x 10″
Pears in the sunshine
“Pears in the Sunshine” Oil on Canvas 10″ x 10″
Passion Fruit
“Passion Fruit” Oil on Canvas 12″ x 12″

 

 

Latest Paintings – Assessing What’s Valuable In My Life

As I put in my newsletter this morning, Spring cleaning in the southern hemisphere is done, but as October arrives and summer is winking at us, as we enter the last three months of the year, I am eager to set a path of prosperity which will turn things around and continue into 2014. To lay down some groundwork for a plan for the future, we need to be cognoscente of the errors of the past; not to harp on the bad choices one has made but rather to evaluate the consequences of those choices.

It occurred to me that the book I read and the video I selected for you in the titbits I enjoyed this month also convey this message. Sometimes we look back on our behaviour, the way we treated people, or the way we handled a situation and we feel a mixture of guilt, or shame or even sometimes regret, but we have the chance to rectify these. We can make amends. We can also see these mistakes as a gift – a way to advance with a new approach. This ‘spring clean’ of the soul as it were can also assist in eliminating what we no longer need – including people who do not serve us well – and in so doing to take the steps to live this one life the best way we can from this point onward.

Be grateful for what you have and take action to change what you don’t like to achieve what you dream of having and the ideal life you want to live. As always remain positive and inspired!

Here are a few examples of some of my latest paintings, where I actually hauled out old pictures of some the most meaningful moments in my life and created paintings from them. (I apologize for the sub-standard quality of the pictures – I am saving up for a good camera, essential for every artist, but they do give you an idea of what I’m doing until I get one!)

Summer Lunchtime

“Summer Lunchtime” 

Oil on Canvas – 76cm x 101cm

My son and myself in France many years ago but I was inspired to create a painting from this photo because of the mood and meaning it exudes. This picture portrays a mother and child tranquil in the sunshine in the garden where they are about to take lunch. The child is abandoned in his mother’s lap as he enjoys his bottle and the mother has a serene and nurturing expression of utter love for her son and this moment in the day.

 They grow so fast“They Grow So Fast”Oil on Canvas – 76cm x 101cm

I decided to paint the image I found of my son and I in the garden when I still lived in France. I loved the enthusiasm little Greg had on the simplest task of watering the roses, and the sheer enjoyment of being surrounded by nature in the sunshine. Even though the picture is of a personal nature, it still portrays a moment between mother and child, where she is stepping in with a close watch on her son and ready to assist him if he needs her.

 It's up to me

“It’s Up To Me”

Oil on Canvas – 55cm x 70cm

I liked this picture of my son as a young boy, out on the water in a small boat and I decided to paint it. He has control of the oar and looks quite confident, despite his tender age. This is what I love about children – they don’t fear trying things and never doubt they can do it. It’s such a pity this boldness is replaced with fear, as we grow older.

Winter Fruits

“Winter Fruits”

Oil on Canvas – 40cm x 40cm

A simple still life of a platter of winter fruits, set against cool colours of the season in contrast with the warm colours of the fruits themselves – simple pleasures in life.

Most of the paintings I did this month touch on things of value from my past as well as things that I find beautiful – the simple pleasures in life; something I want more of in my life. Start this new month asking yourself these questions: What do you want to surround yourself with? What do you find most valuable in your life? What inspires you? Now, go out and make these a reality, every day!

Quick Alla Prima Studies

When I wrote the article on the Alla Prima technique, I didn’t have a camera handy to take any pictures, so I am just posting some examples of a couple of the studies I did recently.

Simple Pleasures new small

“Simple Pleasures’ Oil on canvas

Somewhere (new) small

“Somewhere” Oil on canvas

The more I work in this technique the more I like it. It’s such fun too!

 

The Three H’s for Artists & Photographers

The Thinking Man sculpture at Musée Rodin in Paris
The Thinking Man sculpture at Musée Rodin in Paris (Photo credit: Wikipedia)

When it comes to producing a successful piece of art or a stunning photograph, there is a little formula which works every time – it’s the three H’s:

  • Head
  • Heart
  • Hand

The first one, Head, means you use your brain to formulate your ideas and the message you want to relay into a pleasing composition.You decide which format, which medium, which viewpoint etc would best portray this message in an art piece – it’s the planning stage of the project where thinking is required.

Then you use your Heart to determine the best possible way to relay that particular message. It’s the feeling stage – aspects such as the mood and colour and lighting are decided upon, through sentiment towards the subject. Another “H” comes into play here – Hunch – where the creator follows his or her gut-feeling and intuition of what to reveal and how. It’s the stage where the creator feels the excitement and anticipation of the actual doing, as well as visualizing the emotion of the viewer when he or she will lay eyes on the finished piece. It’s the stage where the creator internalizes the very soul of the objects or subjects relevant to this specific message, which they can then display in the execution.

Lastly, comes the Hand, which is the actual skill in rendering those Head-determined and Heart-felt ideas and brings them into being. Many people think that this last stage is the most important in creating an art piece, but I feel that without the first two H’s being thoroughly thought and felt through before starting to render the work, then no amount of technical skill will result in an evoking piece. Yes, it will portray the talent of mastery in the craft, but it risks falling short of stirring any reaction from the viewer and that’s the most important reason for creating the work at the onset, isn’t it?

Consider these three H’s before you start your next project and I’m sure you’ll be able to add a fourth “H” to the mix – Happiness!

 

Alla Prima – The Perfect “In The Moment” Technique

wet  on  wet
wet on wet (Photo credit: paladinsf)

I always used to paint layer upon layer to build up a painting. While this is a lot of work it certainly renders a beautiful finish, but recently I have been experimenting with the Alla Prima technique and have discovered some remarkable things – not just about the amazing immediacy of the finished painting, but about life too!

Before I reveal my insights to you, I want to quickly explain the basics of the Alla Prima technique. Fundamentally, it was started by the Impressionists who wanted to paint their subjects in one sitting. They painted landscapes on plein air excursions or simple still lives in their studios, or even figurative studies of people, but they did these paintings in one sitting and worked wet-in-wet. The term Alla Prima comes from Italian, meaning “At the first,” “At once” or “On the first attempt”. It’s also known as ‘direct painting’ or the French term au premier coup (at first stroke).

Because the painter working on an Alla Prima painting is trying to work fast to complete the entire piece in one sitting whilst the paint is still wet, he or she is obliged to translate what they observe of their subject as directly as possible. The second challenge is that the colours easily become muddy and therefore the painting benefits from an economy of strokes – each one meaningful and precisely intended. This not only prevents the piece from becoming overworked, but maintains a fresh vibrancy and the immediacy of the brushstrokes serves to exude the very soul of the subject being painted. A simple jar, an egg, a fruit or a person lives on the canvas.

So, when I set about learning these pointers and applying them to a few exercises I set up, I noted the following observations:

  • One learns to clear one’s mind and trust one’s instinct.
  • There’s a greater immediacy to the work.
  • Fewer colours worked better than more.
  • I had to keep it simple.
  • I had to be really specific at the onset at what I wanted to portray – no dilly-dallying to change later as I had sometimes been proned to do before.
  • Limiting my time taught me to work even quicker and fresher than before.
  • My brushstokes were more deliberate and each one made more of a statement individually- no random guesswork.
  • My edges were more varied with less effort – because I have always used the “squinting” method of determining my lights and darks and my edges, i.e. if when squinting my eyes I see an edge is sharp, I paint it sharp and if it’s fuzzy or vague, I paint it so, but before I used to check and recheck my edges at the end of the painting, even with the squinting method – now I didn’t need to! (It’s perhaps because I didn’t need to trust my instinct as much as I had all the time in the world and could come back to it tomorrow.)
  • I learned to eliminate unnecessary detail.
  • I appreciated the experience of painting a simple subject from life more than from a picture, although one can relay a photo in an Alla Prima painting too.
  • The work is far more painterly than the blended layer upon layer method.
  • The textures created through the thicker application of paint are more intreresting.
  • The tendency to over-blend is minimalised.
  • You learn to paint the very light itself.
  • The statement “a picture says a thousand words” is even more appropriate here because the story is so simple, but it is dynamic and more potent somehow in its simplicity.

All these reasons have made me excited about this technique, and I want to practice and practice until I master it, but what excites me most are the life lessons I have acquired from painting this way too.

Life Lessons I’ve Realized From This Technique

It sounds so dumb I know, to say I have determined a few simple teachings to apply to life from a painting technique, but I declare it to be true! Think I’m crazy if you want, but I’ll share them with you anyhow…

  • To live more in the moment.
  • To do things “at once’ – not procrastinate and/or be long-winded about them.
  • Trust one’s instincts.
  • Less is more – less detail and less time spent portrays a bolder, deliberate statement with more punch! Why warble on and on and show them everything including the kitchen sink if you don’t need to?
  • The darks make the light more beautiful.
  • Be bold.
  • Express yourself with confidence.
  • Lose the arbitrary! Why complex one’s life with random stuff?
  • The seemingly non-important objects in the world also have an interesting story or message to relay
  • One bold statement is stronger than a hundred mumbled words.

Unfortunately, I can’t upload my painted exercises today as I am currently without a camera, but I shall soon. However, for you to understand the effects of this wonderful technique, I am posting a few examples of some very successful works by well know Alla Prima painters. Let me know what you think!

By Pamela Blaies
By Pamela Blaies
By Richard Schmid
By Richard Schmid
By Quing Huang
By Quing Huang
By Nancy Medina
By Nancy Medina

Where Do Good Ideas For Art Come From?

Contemplation
“Contemplation” Oil on Canvas. K Longden-Sarron

“What to do? What to do?” is a question any painter or photographer, or creator of any kind, surely asks sometimes. While its normal for any creative person to experience ‘voids’ or ‘blocks,’ I think it’s often the catalyst to an extraordinary breakthrough – because the brain processes the problem/s and simplifies them and the results can be spectacular!

I’m not going to repeat Steven Johnson’s explanation of this key question “Where do ideas come from” in his amazing video I’ve posted below, but to first offer my take on how artists, specifically, can reap ideas for their projects.

The innovative process is sometimes daunting. We wonder “How can I be original?” or “How could my work stand out from the rest?”

I too have spent hours viewing other artists’ work seeking inspiration and making lists of subjects I could paint, but at the end of it I land up with a zillion ideas and notions to try them all. The result – not much gets done. Whilst I incubate this phletora of visuals of all I’ve seen I end up more confused than ever! At the end of it I realize that whoever inspires me and whatever subjects I could paint, I need to paint what’s true to ME. That’s what being original means! That’s how my work could stand out from the rest! And to do that I need to paint what interests me, the things in life that brings me joy. In short – things that I love and make my soul sing.

So, that been said, I’m back at square one aren’t I? Where do I begin?

  • Everything starts with what we know – our visual library. Everything we remember, or from our cultural beliefs, or from events we have experienced, joyful or tragic alike.
  • It also comes from our present environment; what we see around us, or from the sounds we hear. It comes from images we see and words we read.
  • It also comes from our imagination.
  • It’s true that ideas come from observation, but they also come from seeing things differently. Exciting art can be achieved from trying new things to offer a new perspective on that subject, or to arrange things in a new, unusual and interesting way.
  • Making new connections between different, even sometimes unlikely things, also lends itself to interesting compositions and subject matter.
  • Artists who portray the beauty in everyday things or situations don’t seem to have had any particular “lightbulb” moment in making their photo or painting, but they are telling a story all the same, and sometimes to the viewer that image strikes a deeper chord than ever imagined by its creator.

“Stop sometimes and look into the stains of walls, or ashes of a fire, or clouds, or mud or like places–you may find marvellous ideas.” Leonardo da Vinci

“I Hear You My Brother” Oil on Canvas. K Longden-Sarron

Ideas are all around us. I was motivated to paint this canvas from a picture I saw when viewing old photos one evening with some friends and knew it just had to be a painting!

 

 

 

 

"Gladiola!"
“Gladiola!” Oil on Canvas. K LOngden-Sarron

 

And this one was painted from a silly photo of myself singing into a gladiola. I even titled it “Gladiola!” The idea to paint it was sparked simply because it makes me giggle! Nothing wrong with adding a little humour into your work! I believe that’s what being true to yourself is – portraying all the facets that make up YOU. Quirky, silly, sympathetic, activist or whatever you may be.

 

 

Don’t over think things, be willing to take risks and perhaps prepare to accept a few failures. The truer you are to yourself through your work, the easier it will be for you and the more fulfilling in the long run. Don’t let society quasher your zest for innovation and originality. Let your soul sing! Because it is this that develops a following. And not always because what you produce has such major appeal alone, but because you do as an individual. And it’s from you, the individual, where the good ideas for art come from!

“Art is an adventure into an unknown world which can be explored only by those willing to take the risks”            Mark Rothko 

Watch and enjoy Steven Johnson’s innovative video, and then please comment and let me know where your good ideas for art come from!

 

Winter Art Retreat in Riebeek Kasteel

2nd RK workshop header with text

An all-inclusive 1/2 Price Winter Special!

5TH TO 9TH AUGUST, 2013

Explore Your Creativity With 2 Artists

Due to popular demand, we have organized another painting workshop in Riebeek Kasteel, only this time we are offering a 5-day package also including other exciting activities and excursions to stimulate your creativity!

Treat yourself and join artists Karen Longden-Sarron and Liné Ryan du Preez on this transformational workshop!

Reconnect with and express your own innate creativity, in a relaxed, fun & supportive atmosphere.

An artists’s paradise location, gourmet meals, interesting excursions, stimulating art presentations and painting demonstrations with loads of individual attention, all ensure an unforgettable experience!

  • All skill levels welcome.
  • All art materials will be provided.
  • Non-painting partners (sharing) are welcome and pay only R200 a night for B&B, with other meals for their account.

Come & add your spark to this creative atmosphere!

THE PACKAGE

Accommodation

Choose your lodging between 2 delightful & cosy Guesthouses, Old Oak Manor and Shiraz Estate.

Bedrooms RK

Meals

All meals will be completely catered for during your Art Retreat, including Breakfast, a tasty light Lunch, Morning and Afternoon Tea/Coffee and a delicious 2-course Dinner. Non-painting partners are welcome to join you for meals at the Cafe Felix Restaurant, on the curry evening and the picnic lunch during the plein air painting day, but these are for their account.

Any other refreshments or alcoholic beverages are for your account. Vegetarians Welcome.

Food RK
What You’ll Experience

Two professional artists will inspire you & share creative tips on developing beautiful paintings.

Whether you are an experienced oil painter or someone who has never held a brush, discover the fun of experimenting with paints.  Come and reconnect with and express your own innate creativity, in a supportive atmosphere, where you have no preconceived notions of how things should be and can freely express yourself through art, thus developing your own “individual style,” with  personalized guidance, within a supportive, relaxed environment, laced with humor.

So, if you feel like art is something your life may be lacking, give it a try!

Art sessions include:

  • Painting presentations, demonstrations and short talks from the Karen and Liné
  • Individual attention according to your painting level & chosen medium to develop skills
  • All the personal attention you require from the Karen & Liné, who will adapt their guidance methods according to your needs, personality and goals

ALL IN A LIGHT-HEARTED, NON-COMPETITIVE AND JOYFUL ATMOSPHERE!

You can view the breakdown of the art sessions on Karen’s website HERE. You can view the Itinerary HERE or the link is also noted further down the page.

Painting en Plein Air

In the spirit of the Impressionist masters we shall venture outdoors to paint “en plein air!” Weather permitting, we shall visit a local wine farm to paint out in the open, (so there is no need to feel intimidated of painting in public!). Demonstrations and guidance shall assist you to paint along, to create a vibrant landscape capturing the very essence of the scene before you. A wonderful picnic lunch shall be enjoyed with a glass or two of wine. (If the weather is inclement we shall work in a studio or reschedule the event to a day predicted to finer weather.)

ADDITIONAL ACTIVITIES

Participants in this retreat shall also get to enjoy the following activities offered on this getaway:

  • A visit to 2 Art Galleries
  • A visit to an Olive Farm
  • A Wine Tasting and Olive Tasting
  • “Make-up is Art” Presentation
  • An Art Quiz Cocktail Evening

The enjoyment of Workshop small

The Artists
Karen Longden-Sarron and Liné Ryan du Preez are both professional artists living and working in Cape Town. Both have given art classes in the past and have recently joined to offer paint-away and local workshops. You can see more on them HERE
Karen and Line'
The Cost

Take advantage of our 1/2 PRICE WINTER PACKAGE Offer

Stay 3 days from R2,790/R3,390           Stay 4 days for R4,285           Stay 5 days for R5,580

Please Note:

The 3-Day Stay Package at R2,790 is for Monday and Tuesday nights at the beginning of the Retreat, or to stay any 2 other nights of the week if participants arrive in the afternoon. Should a participant wish to arrive by 10am on their first morning and enjoy three full days of art and activities, there is an additional cost of R600 to cover the tuition and lunch for the extra day, giving a total of R3,390.

The 4 Day stay includes any 3 night’s accommodation as well as all meals, morning & afternoon teas and coffees, activities, excursions, all art materials and tuition.

The 5-Day Stay includes 4 night’s accommodation as well as all meals, morning and afternoon teas/coffees, activities, excursions, all art materials and tuition.

The rooms are issued on a first-come-first-served-basis.

Limited Spaces. Booking is Essential.

BOOKING 

Rooms are allocated on a first-come-first-served basis. Book early to avoid disappointment!

You can book your place now by registering online HERE or by downloading the registration form HERE and emailing it to us.

Once we have received your registration form we shall return a confirmation email with our banking details.

See the Itinerary HERE

See FAQ’s HERE

See the Cancellation Policy HERE

WE LOOK FORWARD TO MEETING YOU THERE!

 

Now Our Painting Workshop is Even More Affordable!

Yes, you read right! We have exciting news regarding our Riebeek Kasteel Paint-Away Weekend Workshop!

The two guesthouses where we will be hosting the painting workshop have launched a winter special and we are lucky enough to be able to take advantage of this and extend the offer to painters wishing to join in the fun. We love it if we can help you save some money. Now you will have more cash to treat yourselves to some wine if the desire takes you. Lots of famous artists were known to have a tipple while they worked!

We have however reduced the stay to two nights instead of three, to correlate with the promotion at Old Oak Manor and Shiraz Estate in Riebeek Kasteel, which hence benefits those painters wishing to attend. This all amounts to a reduction of R1395 off the original price for painters. This doesn’t mean they will get less tuition though.

No, not at all – the tutors have designed an exciting program, where they will show painting demos and talk to you about the workshop on the Friday when everybody meets, and will be there to offer each participant loads of personal attention and guidance, according to their level and goals, to enable them to develop their own unique style, during full days of painting on Saturday and Sunday, before everybody departs at around 5.30 to return home inspired! Shortening the workshop to a two-night stay also leaves a whole extra day of the long weekend to enjoy the Monday with your family – if you’re not back at the easel eager to continue practicing what you have learned!

What’ll It all Cost Me Now?

The price now is R2790 per person, including the following:

  1. 2 Nights accommodation, whether you are in a single room or sharing with a friend
  2. 2 Scrumptious Breakfasts on the Saturday and Sunday mornings
  3. 2 Light tasty Lunches
  4. 2 Delicious 2-course Dinners
  5. Morning Tea/Coffee
  6. Art Materials (except easels)
  7. Studio space if the weather is inclement
  8. En Plein-air excursions to beautiful scenic locations
  9. 2 Full days of Tuition and personal guidance from 2 Artists as well as demos and talks on the Friday evening.

It’s a deal indeed! And we have a couple more surprises for you when you get there too!

But we have more…. non painting partners will pay only R200 to share the room with their painting partner! They stay on a Bed & Breakfast basis, where the other meals are for their own account, but they can still enjoy their meals in the restaurant with their partner. They can explore the area, laze in the peaceful surroundings or take the advice of the guesthouse host and visit recommended places of interest in the vicinity. It is a give-away of note for a weekend getaway!

Day Painters are welcome to join at R825 per person/per day and attend on the Saturday and/or the Sunday. They will be able to enjoy morning tea/coffee and lunch with the others as well as receive their art materials, the en plein-air excursion experience and the personal tuition in this price.

Come and share your unique spark with other art lovers, learn some new skills and have fun in a light-hearted but informative environment with artists Karen Longden-Sarron & Liné Ryan.

They’re looking so forward to meeting you! So book now to avoid disappointment.

You may view the brochure: Riebeek Kasteel Painting Workshop Brochure

You can register online HERE or download the Word doc to fill in and return to secure your place.Riebeek Kasteel Painting Workshop Registration Form

If you have any questions you can view the FAQ’s HERE

Riebeek Kasteel Painting Workshop Flyer